Jaap Kooijman

UvA

Symposium All Goes Onward and Outward

On 18 June 2007, a one-day symposium to commemorate the 60th anniverary of the first Dutch chair in American Studies, the 60th anniversary of the Marshall Plan in the Netherlands, and the 30th anniversary of the Netherlands American Studies Association (NASA) was held at the Agnietenkapel of the Universiteit van Amsterdam, where, 30 years earlier, the founding meeting of the NASA took place. To commemorate these historic occasions, we discussed the role of American Studies in the Netherlands with current (senior and junior) scholars and current American Studies students. The presentations focused on the questions how American Studies can contribute to the public debate on social-political and cultural issues such as multiculturalism and how American Studies relates to other disciplines within the humanites and the social sciences. In addition, one session focused on an exciting Dutch translation of Walt Whitman’s Leaves of Grass (Grasbladen edited by Jacob Groot and Kees ‘t Hart). In this way, the broad range of different disciplinary backgrounds that constitute American Studies was adequately represented. The symposium was organized by Jaap Kooijman, Rob Kroes, Marja Roholl, and the students of the VASA, the student association of the Amsterdam students of American Studies.

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ASCA 2006 article award for “Family Portrait”

 

Jaap Kooijman has won the 2006 article award of the Amsterdam School for Cultural Analysis for his essay “Family Portrait: Queering the Nuclear Family in François Ozon’s Sitcom,” published in Patricia Pisters and Wim Staat (editors), Shooting the family: Transnational Media and Intercultural values, Amsterdam: AUP 2005. As the jury report says: “Kooijman presents an original analysis of how François Ozon’s film Sitcom recognizes the ‘queerness’ of the traditional nuclear family by introducing the ’sexually non-normative’ (the gay son) and ‘racial other’ (the Spanish maid and the African gym teacher) literally into the family portrait. His analysis of the film is intertextually informed by an in-depth knowledge of the television genre that Ozon’s film refers to, the sitcom, and other films that address the same them of the disruption of the western nuclear family. Written in an elegant and accessible style, the article presents not only a very rich analysis of developments in media representations with respect to the family and (the disruption of) its normative public facade, but also gives insight in larger discourses in society about the family that slowly start to change and open up to its ‘queer’ members.”

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